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Faye Dunaway

Faye Dunaway

Biography

Dorothy Faye Dunaway (born January 14, 1941) is an American actress. She is the recipient of such accolades as an Academy Award, three Golden Globes, and a British Academy Film Award.

Her career began in the early 1960s on Broadway. She made her screen debut in the 1967 film The Happening, and rose to fame that same year with her portrayal of outlaw Bonnie Parker in Arthur Penn's Bonnie and Clyde, for which she received her first Academy Award nomination. Her most notable films include the crime caper The Thomas Crown Affair (1968), the drama The Arrangement (1969), the revisionist western Little Big Man (1970), an adaptation of the Alexandre Dumas classic The Three Musketeers (1973), the neo-noir mystery Chinatown (1974), for which she earned her second Oscar nomination, the action-drama disaster The Towering Inferno (1974), the political thriller Three Days of the Condor (1975), the satire Network (1976), for which she won an Academy Award for Best Actress, and the thriller Eyes of Laura Mars (1978).

Her career evolved to more mature and character roles in subsequent years, often in independent films, beginning with her controversial portrayal of Joan Crawford in the 1981 film Mommie Dearest. Other notable films in which she has appeared include Barfly (1987), The Handmaid's Tale (1990), Arizona Dream (1994), Don Juan DeMarco (1995), The Twilight of the Golds (1997), Gia (1998) and The Rules of Attraction (2002). Dunaway also performed on stage in several plays including A Man for All Seasons (1961–63), After the Fall (1964), Hogan's Goat (1965–67), A Streetcar Named Desire (1973) and was awarded the Sarah Siddons Award for her portrayal of opera singer Maria Callas in Master Class (1996).

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CritifyHub Reviews Featuring Faye Dunaway

Shadows of Secrets: How Chinatown Still Haunts Our Screens

on Chinatown | Aug 22, 2025

Ever wonder how a film can feel like a punch you didn’t see coming, yet leave you begging for another? Chinatown (1974), directed by Roman Polanski, doesn’t just tell a story it slithers into your psy... Read more

Sky-High Stakes: Why ’The Towering Inferno’ Still Burns Bright

on The Towering Inferno | Aug 17, 2025

Ever wonder what happens when ambition builds a skyscraper so tall it dares disaster to strike? ’The Towering Inferno’ (1974) answers with a blazing spectacle that’s as much about human hubris as it i... Read more

Blood and Dust: The Visceral Elegance of Bonnie and Clyde

on Bonnie and Clyde | Aug 01, 2025

Arthur Penn’s Bonnie and Clyde (1967) is a cinematic thunderbolt, a film that rewrites the grammar of violence and romance with a deft, almost painterly hand. Its brilliance lies not in its story a De... Read more

Shadows of Suspicion: Decoding the Paranoia of *Three Days of the Condor*

on Three Days of the Condor | Jul 12, 2025

Sydney Pollack’s Three Days of the Condor (1975) is a masterclass in constructing tension through restraint, weaving a tapestry of paranoia that feels as prescient today as it did in its post-Watergat... Read more

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