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Rachel Weisz

Rachel Weisz

Biography

Rachel Hannah Weisz (/vaɪs/; born 7 March 1970) is an English actress. Known for her roles in independent films and blockbusters, she has received several awards, including an Academy Award, a BAFTA Award, a Golden Globe Award, and a Laurence Olivier Award.

Weisz began acting in stage and television productions in the early 1990s and made her film debut in Death Machine (1994). She won a Critics' Circle Theatre Award for her role in the 1994 revival of Noël Coward's play Design for Living. She went on to appear in the 1999 Donmar Warehouse production of Tennessee Williams' drama Suddenly Last Summer. Her film breakthrough came with her starring role as Evelyn Carnahan in the Hollywood action films The Mummy (1999) and The Mummy Returns(2001). Weisz went on to star in several films of the 2000s, including Enemy at the Gates (2001), About a Boy (2002), Runaway Jury (2003), Constantine (2005), The Fountain (2006), The Lovely Bones (2009) and The Whistleblower (2010).

For her performance as an activist in the 2005 thriller The Constant Gardener, she won the Academy Award for Best Supporting Actress. For playing Blanche DuBois in a 2009 revival of A Streetcar Named Desire, she won the Laurence Olivier Award for Best Actress. In the 2010s, Weisz continued to star in big-budget films such as the action film The Bourne Legacy (2012) and the fantasy film Oz the Great and Powerful (2013) and achieved critical acclaim for her performances in the independent films The Deep Blue Sea (2011), Denial (2016), and The Favourite (2018). For her portrayal of Sarah Churchill in The Favourite, she won the BAFTA Award for Best Actress in a Supporting Role and received a second Academy Award nomination. Weisz portrayed Melina Vostokoff in the Marvel Cinematic Universe film Black Widow (2021) and starred as twin obstetricians in the thriller miniseries Dead Ringers (2023).

Description above from the Wikipedia article Wendell Pierce, licensed under CC-BY-SA, full list of contributors on Wikipedia.

CritifyHub Reviews Featuring Rachel Weisz

Verdict on Fire: How Runaway Jury Still Grips the Gavel

on Runaway Jury | Aug 26, 2025

Ever wonder what happens when a courtroom thriller dares to outsmart its own genre? Runaway Jury (2003), directed by Gary Fleder, doesn’t just stage a legal battle it orchestrates a chess match where ... Read more

Truth at a Cost: The Whistleblower’s Unflinching Cry for Justice

on The Whistleblower | Aug 25, 2025

Ever wonder what it takes to scream truth into a void of corruption? The Whistleblower (2010), directed by Larysa Kondracki, rips open that question with raw, unflinching power, thrusting you into the... Read more

Love’s Absurd Cage: The Lobster’s Brilliant, Bizarre Sting

on The Lobster | Aug 24, 2025

What if love were a bureaucracy, a dystopian game where coupling up is mandatory or you’re turned into an animal? Yorgos Lanthimos’ The Lobster (2015) lobs this question like a Molotov cocktail, blend... Read more

Stargazing Through a Shattered Lens: Agora’s Bold Dance of Faith and Reason

on Agora | Aug 06, 2025

Did a film ever make you ache for a world where ideas could soar without fear of being burned at the stake? Agora (2009), directed by Alejandro Amenábar, dares to plunge us into 4th-century Alexandria... Read more

Sniper’s Stare: Love and Death in the Crosshairs of Stalingrad

on Enemy at the Gates | Aug 04, 2025

Ever wonder what it feels like to hold your breath for an entire city’s survival? Enemy at the Gates (2001), Jean-Jacques Annaud’s taut war epic, drops you into the rubble of Stalingrad, where a singl... Read more

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