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Rosario Dawson

Rosario Dawson

Biography

Rosario Isabel Dawson (born May 9, 1979) is an American actress. She made her feature film debut in the 1995 independent drama Kids. Her subsequent film roles include He Got Game (1998), Josie and the Pussycats (2001), Men in Black II (2002), The Rundown (2003), Rent (2005), Sin City (2005), Clerks II (2006), Death Proof (2007), Seven Pounds (2008), Percy Jackson & the Olympians: The Lightning Thief (2010), Unstoppable (2010), Zookeeper (2011), Trance (2013), Top Five (2014), Zombieland: Double Tap (2019), and Clerks 3 (2022). Dawson has provided voice-over work for Disney/Marvel, Warner Bros./DC Comics, and ViacomCBS's Nickelodeon unit.

Dawson had several roles in film and television adaptations of comic books. These include Gail in Sin City (2005) and Sin City: A Dame to Kill For (2014), Claire Temple in five of the Marvel Netflix series (2015–2018), and providing the voices of Diana Prince/Wonder Woman in the DC Animated Movie Universe and Space Jam: A New Legacy and Barbara Gordon/Batgirl in The Lego Batman Movie. In 2020, she portrayed Ahsoka Tano in the second season of The Mandalorian and The Book of Boba Fett and stars in the Disney+ original series Ahsoka. In 2021, she had a recurring role in the Dwayne Johnson autobiographical comedy series Young Rock and a main role in the Hulu miniseries Dopesick.

Description above from the Wikipedia article Rosario Dawson, licensed under CC-BY-SA, full list of contributors on Wikipedia.

CritifyHub Reviews Featuring Rosario Dawson

Bricks of Brilliance: The Lego Batman Movie as a Satirical Symphony

on The Lego Batman Movie | Jul 19, 2025

In The Lego Batman Movie (2017), director Chris McKay crafts a vibrant, self-aware satire that transforms the brooding Dark Knight into a kaleidoscopic commentary on heroism, loneliness, and pop cultu... Read more

From Slacker Shadows to Earnest Redemption: The Soulful Evolution of Clerks II

on Clerks II | Jul 10, 2025

Kevin Smith’s Clerks II (2006) is a curious artifact of early-2000s indie cinema, a sequel that dares to revisit the lo-fi, black-and-white irreverence of its 1994 predecessor while grappling with the... Read more

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