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The Little Prince Poster

Title: The Little Prince

Year: 2015

Director: Mark Osborne

Writer: Bob Persichetti

Cast: Riley Osborne (The Little Prince (voice)), Mackenzie Foy (The Little Girl (voice)), Jeff Bridges (The Aviator (voice)), Rachel McAdams (The Mother (voice)), Marion Cotillard (The Rose (voice)),

Runtime: 108 min.

Synopsis: Based on the best-seller book 'The Little Prince', the movie tells the story of a little girl that lives with resignation in a world where efficiency and work are the only dogmas. Everything will change when accidentally she discovers her neighbor that will tell her about the story of the Little Prince that he once met.

Rating: 7.608/10

A Starlit Whisper of Wonder: The Little Prince (2015) Still Soars

/10 Posted on August 26, 2025
What if a story could make you feel like a kid again, yet leave you wrestling with grown-up truths? The Little Prince (2015), Mark Osborne’s animated gem, dares to adapt Antoine de Saint-Exupéry’s timeless novella, and it’s a tightrope walk of whimsy and wisdom that mostly dazzles. This isn’t just a retelling; it’s a love letter to imagination, wrapped in a visual and emotional tapestry that speaks to today’s dream-starved audiences.

Osborne’s direction is the film’s heartbeat. He blends stop-motion for the Little Prince’s storybook world with sleek CGI for a modern-day narrative about a girl trapped in a sterile, achievement-obsessed life. The contrast is deliberate and devastating papery fragility meets soulless efficiency. The stop-motion sequences, with their tactile textures and warm hues, feel like stepping into a child’s watercolor dream, while the CGI world, with its muted grays, mirrors our own productivity-obsessed culture. This visual duality isn’t just pretty; it’s a gut-punch critique of how we suffocate wonder in pursuit of “success.” In 2025, when hustle culture and AI-driven monotony dominate, this message lands harder than ever.

The voice acting is another triumph. Mackenzie Foy’s Girl is a revelation her curiosity and quiet rebellion carry the film’s emotional weight. Jeff Bridges as the Aviator brings gravelly warmth, making every line feel like a fireside tale. But the script stumbles occasionally, leaning too heavily on expository dialogue to bridge the novella’s poetic gaps. Some side characters, like Rachel McAdams’ overly stern Mother, feel like archetypes rather than people, flattening the stakes in the modern storyline.

The score, by Hans Zimmer and Richard Harvey, is pure magic. It weaves delicate piano motifs with soaring strings, capturing the story’s bittersweet essence innocence teetering on the edge of loss. It’s the kind of music that lingers, urging you to chase stars rather than spreadsheets. Yet, the film’s pacing falters in its final act, rushing a climax that deserved more breathing room to let its existential questions land.

Why does The Little Prince matter now? In an era where screens dictate our dreams, this film reminds us to look up, to find the extraordinary in the small. It’s not flawless, but its imperfections feel human, like a hand-drawn sketch. Watch it, and let it nudge you to rediscover the child who once saw the world as a canvas of possibilities. You’ll leave aching to stargaze.
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