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Wallace & Gromit: The Curse of the Were-Rabbit Poster

Title: Wallace & Gromit: The Curse of the Were-Rabbit

Year: 2005

Director: Nick Park

Writer: Mark Burton

Cast: Peter Sallis (Wallace / Hutch (voice)), Ralph Fiennes (Victor Quartermaine (voice)), Helena Bonham Carter (Lady Campanula Tottington (voice)), Peter Kay (PC Mackintosh (voice)), Nicholas Smith (Reverend Clement Hedges (voice)),

Runtime: 85 min.

Synopsis: Cheese-loving eccentric Wallace and his cunning canine pal, Gromit, investigate a mystery in Nick Park's animated adventure, in which the lovable inventor and his intrepid pup run a business ridding the town of garden pests. Using only humane methods that turn their home into a halfway house for evicted vermin, the pair stumble upon a mystery involving a voracious vegetarian monster that threatens to ruin the annual veggie-growing contest.

Rating: 7.111/10

Moonlit Mischief: How Wallace & Gromit’s Were-Rabbit Still Bites

/10 Posted on August 14, 2025
Ever wonder what happens when a cheese-obsessed inventor and his silent dog take on a monstrous bunny? Wallace & Gromit: The Curse of the Were-Rabbit (2005) answers with a gleeful blend of claymation charm and sly British humor that feels as fresh today as it did two decades ago. Nick Park and Steve Box’s stop-motion gem isn’t just Aardman’s first feature-length romp it’s a love letter to monster movies, community quirks, and the absurd lengths we go to protect what’s ours.

The direction is the film’s heartbeat. Park and Box wield their plasticine world with surgical precision, crafting a Lancashire village that’s both cozy and chaotic. Every frame bursts with detail: cabbages gleam under moonlight, and Gromit’s wordless glances carry more pathos than most live-action leads. The pacing, though, isn’t flawless midway, the plot wobbles under its own ambition, with a few gags overstaying their welcome. Yet the directors’ knack for visual wit, like a bunny stampede choreographed to rival Jurassic Park, keeps you hooked. Their parody of horror tropes think Hammer Films with carrots lands because it’s earnest, not snarky, making the film a timeless nod to genre fans.

Peter Sallis and Gromit (who needs no voice) are the soul of the affair. Sallis’s Wallace, with his earnest bumbling and tea-slurping optimism, is a character you root for even when he’s daft. Gromit, the unsung hero, communicates volumes with a raised brow or a resigned sigh, proving animation can outshine human actors. Helena Bonham Carter’s Lady Tottington adds a posh spark, though her role leans slightly thin, a missed chance for deeper satire. The score by Julian Nott weaves mischief and menace, amplifying the mock-horror without overpowering the gags.

Why does this film still matter? In an era of slick CGI blockbusters, Were-Rabbit’s tactile, handcrafted vibe is a rebellion against polish. Its humor gentle yet sharp feels like a balm for today’s polarized X debates, poking fun at human foibles without malice. The environmental undertones, with its veggie-obsessed village, resonate in our eco-conscious age, but never preach. Flaws and all, it’s a reminder that stories told with heart and ingenuity endure.

So, grab a cuppa, dim the lights, and let Wallace & Gromit remind you why monsters and mates are best faced with a cracking good plan.
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