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Spider-Man: Across the Spider-Verse Poster

Title: Spider-Man: Across the Spider-Verse

Year: 2023

Director: Joaquim Dos Santos

Writer: Christopher Miller

Cast: Shameik Moore (Miles Morales (voice)), Hailee Steinfeld (Gwen Stacy (voice)), Brian Tyree Henry (Jeff Morales (voice)), Luna Lauren Velez (Rio Morales (voice)), Jake Johnson (Peter B. Parker (voice)),

Runtime: 140 min.

Synopsis: After reuniting with Gwen Stacy, Brooklyn’s full-time, friendly neighborhood Spider-Man is catapulted across the Multiverse, where he encounters the Spider Society, a team of Spider-People charged with protecting the Multiverse’s very existence. But when the heroes clash on how to handle a new threat, Miles finds himself pitted against the other Spiders and must set out on his own to save those he loves most.

Rating: 8.3/10

Web of Wonders: How Across the Spider-Verse Spins Chaos into Art

/10 Posted on August 16, 2025
Ever wonder what it feels like to be slung through a kaleidoscope of color, heart, and multiversal mayhem? Spider-Man: Across the Spider-Verse (2023) doesn’t just answer that it grabs you by the soul and swings you through dimensions. This isn’t just a sequel to 2018’s Into the Spider-Verse; it’s a bold leap that redefines what animated blockbusters can do, blending jaw-dropping visuals, raw emotional depth, and a pulsing score into a story that resonates with today’s fractured, identity-hungry world.

Let’s start with the animation. Directors Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson craft a visual symphony that feels like a comic book exploded into life. Each universe whether Gwen Stacy’s watercolor-drenched world or the gritty, ink-splattered New York of Miles Morales has its own artistic DNA. The film’s audacious mix of 2D, 3D, and hand-drawn styles doesn’t just dazzle; it mirrors the story’s theme of individuality clashing with destiny. Yet, for all its brilliance, the pacing occasionally stumbles, cramming so many characters and plot threads that quieter moments get lost in the web.

The voice acting is another triumph. Shameik Moore’s Miles radiates teenage vulnerability and defiance, capturing the ache of a kid caught between family, duty, and self-discovery. Hailee Steinfeld’s Gwen steals scenes with a performance that’s equal parts fierce and fragile, her voice cracking with the weight of grief and rebellion. The ensemble Oscar Isaac’s brooding Miguel O’Hara, Daniel Kaluuya’s punky Hobie Brown brings a chaotic energy that grounds the multiverse in real human stakes. But the script doesn’t always give them room to breathe; some characters, like the hilarious Spot, feel underdeveloped despite their potential.

Daniel Pemberton’s score is the film’s heartbeat, weaving hip-hop, electronica, and orchestral swells into a soundscape that’s as eclectic as the visuals. It’s not just background noise it’s a character, amplifying Miles’ journey from Brooklyn to beyond. In a world where superhero fatigue looms large, Across the Spider-Verse matters because it dares to be messy, personal, and unapologetically artistic. It speaks to a generation grappling with identity, choice, and the pressure to fit in, all while delivering a cliffhanger that leaves you gasping.

Flaws and all, this is a film that swings for the stars and mostly sticks the landing. It’s a reminder that stories can still surprise, challenge, and move us if they’re bold enough to break the mold. Go see it, and let it tangle you in its vibrant, chaotic web.
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