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Zack Snyder

Zack Snyder

Biography

Zachary Edward Snyder (born March 1, 1966) is an American filmmaker. He made his feature film debut in 2004 with Dawn of the Dead, a remake of the 1978 horror film of the same name. Since then, he has directed or produced a number of comic book and superhero films, including 300 (2006) and Watchmen (2009), as well as the Superman film that started the DC Extended Universe, Man of Steel (2013), and its follow-ups, Batman v Superman: Dawn of Justice (2016) and Justice League (2017), the latter of which had a director's cut released in 2021. He also directed the animated film Legend of the Guardians: The Owls of Ga'Hoole (2010), the psychological action film Sucker Punch (2011), the zombie heist film Army of the Dead (2021), and the two-part space opera films Rebel Moon (2023) and Rebel Moon—Part Two: The Scargiver (2024).

In 2004, he founded the production company The Stone Quarry (formerly known as Cruel and Unusual Films) alongside his wife Deborah Snyder and producing partner Wesley Coller.

Description above from the Wikipedia article Zack Snyder, licensed under CC-BY-SA, full list of contributors on Wikipedia.

CritifyHub Reviews Featuring Zack Snyder

Snyder’s Epic Unleashed: A Cosmic Rebirth for Justice League

on Zack Snyder's Justice League | Aug 26, 2025

Why does Zack Snyder’s Justice League feel like a mythic scroll unrolled in a world craving heroes? This 2021 reimagining isn’t just a director’s cut it’s a four-hour odyssey that demands your attenti... Read more

Resurrecting Fear: The Visceral Pulse of Dawn of the Dead (2004)

on Dawn of the Dead | Jul 20, 2025

Zack Snyder’s Dawn of the Dead (2004), a reimagining of George A. Romero’s 1978 classic, thrives not as a mere remake but as a bold reinvention that amplifies the primal terror of a zombie apocalypse ... Read more

Shadows of Morality: Watchmen’s Ambitious Canvas of Ethical Decay

on Watchmen | Jul 12, 2025

Zack Snyder’s Watchmen (2009), an adaptation of Alan Moore and Dave Gibbons’ seminal graphic novel, is a cinematic paradox both a visually arresting triumph and a narrative that stumbles under its own... Read more

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